Musings on Tarot Decks: The Victorian Romantic Tarot Can Be Fun For Anyone
The Definitive Guide for The Victorian Romantic Tarot, 3rd Edition
The Victorian Romantic Tarot is based on original engravings from 19th century artists, completely collaged to develop fully-illustrated, Rider-Waite-based Tarot scenes. It's available for order in gold and basic editions. Buy and Enjoy This Set at: Purchase and Enjoy This Set at: Victorian Romantic Tarot Evaluation by Sheila Hamilton Previously this year, I had the benefit of writing the companion book to the Victorian Flower Oracle developed by the formidable group who are the Magic Realist Press, particularly Karen Mahony and Alex Ukolov.
I have actually had no input into this project-but I would have been immensely happy if I had. This is a Tarot deck in the Rider-Waite tradition, and as far a from being a clone as is possible. Research It Here includes the normal 78 cards, of which 22 are Significant Arcana and 56 are Minor Arcana, the latter divided up into the fits of Swords, Wands, Cups and Pentacles.
The Significant Arcana have the usual names. Each card is printed on good-quality cardstock, neither lightweight nor rigid, and has an intricately-designed back which could be utilized in a reading that includes turnarounds. The colour printing can just be referred to as extraordinary; there is absolutely nothing ostentatious or extreme on the eyes however the colours are too dynamic to be referred to as muted.

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As author of the buddy book to the Victorian Flower Oracle, I am pleased but not surprised to see beautiful flowers on numerous of the cards, the roses toppling out of the huge basket on The World card, for beginners. And what of the art work? Many Victorian passions and obsessions are here.

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There is likewise orientalism, the love of the unique, especailly anything Egyptian; the Emperor is an Egyptian pharoah. The Classical world appears on a number of cards; my favourite of these is the Eight of Wands, a marvellously vibrant image of Hercules racing the Ceryneian Deer. And no self-respecting Victorian deck might be without its nymphs and fairies; this one has many.

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Then there are a fantastic number of genre photos portraying, to name a few things, children, circuses, a tragedy at sea, the pathos of the bad. There are significant scenes and relaxing scenes, historic scenes and domestic ones. There is sadness and drama, playfulness and humour. As Karen points out, the depiction of women throughout the deck differs enormously.